Play Along Piano

Tags

Opera

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
Contrabasses	21	0	5	9	100%
Violins 1	21	0	4	9	100%
Violins 2	19	0	4	9	100%
Violoncello	21	0	5	9	100%
Violoncellos	21	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

Sorga l'alba

rufinb

8:47	Est. Play Time
204	Measures
	1,094Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	45	13	8	98%
Piano	36	102	17	7	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	45	13	8	98%
Piano	36	102	17	7	98%
Matilde	19	0	9	7	78%
Berenguela	12	0	3	6	25%

HWV1A2N21 - Zweier Augen Majestät

edward.maurath

2:35	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100%
	21	2	5	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	44	6	5	100%
	21	2	5	2	100%
Bassoon	17	0	6	5	60%
	21	0	5	2	100%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Tenor 1	13	0	2	4	93%
Tenor 2	13	0	3	4	93%
Soprano 1	15	0	5	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	2	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	70%

HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
Violin 1	14	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Dorinda	11	0	2	6	77%
Contrabasses	13	0	2	4	64%
Violoncellos	13	0	2	4	64%

HWV8A1N7 - "Lontan del mio tesoro" in C Major

edward.maurath

5:20	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	40	3	8	70%
	23	24	4	5	100%
Violoncello	20	0	3	5	100%
Mirtillo	17	0	6	6	76%
Contrabasses	8	0	0	5	10%
Viola	9	0	0	4	10%
Violins 1	9	0	0	5	10%
Violins 2	10	0	0	4	10%
Violoncellos	8	0	0	5	10%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	1	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

Gounod, Faust: Choeur des soldats (1st part)

Mélisande

1:07	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	48	8	6	84%
	24	35	7	6	71%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	48	8	6	84%
	24	35	7	6	71%
B1	13	0	5	8	91%
B2	11	0	1	8	91%
T1	15	0	4	8	91%
T2	15	0	6	8	91%

N°37. Here is The Summer

FranckM.

1:04	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	20	3	5	100%
	19	8	3	4	99%
Alto	10	0	1	4	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	20	3	5	100%
	19	8	3	4	99%
Alto	10	0	1	4	50%

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
Violoncello Continuo	23	0	7	5	97%
Arsace	18	0	6	7	74%
Violini	21	5	4	4	66%
Contrabassi Continuo	19	0	4	5	63%
Contrabasso Continuo	19	0	4	5	63%
Violoncelli Continuo	19	0	4	5	63%

L’ELISIR D’AMORE de Donizetti : Choeurs Partie 15/16 bis Acte 2 : Coro Scena 6 SOPRANO 2 (avec coupures)

Papibois

4:47	Est. Play Time
265	Measures
	2,513Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	36	56	15	10	96%
	39	87	16	8	93%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	36	56	15	10	96%
	39	87	16	8	93%
Nemorino	15	0	3	8	56%
Adina	17	0	6	7	44%
Soprano 1	12	0	3	8	41%
	11	0	3	8	41%
Giannetta	17	0	6	8	41%
Dulcamara	15	0	4	6	40%

Chorus from Act 3, Scene 1 of "Peter the Cruel"

rufinb

12:47	Est. Play Time
329	Measures
	1,584Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	97	17	11	95%
		33	90	14	6	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	97	17	11	95%
		33	90	14	6	97%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Ténor 1	13	0	2	4	93%
Ténor 2	13	0	3	4	93%
Soprano 1	15	0	4	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	0	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	72%

Hymn to Champagne

nomadicmathmo

1:16	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	6	100%
Bass	14	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	6	100%
Bass	14	0	1	6	100%
Soprano	13	0	1	6	100%
Tenor	13	4	1	6	100%

Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]

Jamie Holdham

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
Violoncelle.	25	2	8	7	100%
2 FAGOTTE.	29	15	10	6	98%
1. VIOLINEN.	22	12	4	5	96%
4 HORNER in F.	17	0	5	6	96%
Contrabasse.	19	0	6	6	96%
Horn in F	14	0	4	6	88%
3 POSAUNEN.	13	0	4	6	82%
2 HOBOEN.	17	0	5	4	82%
BASS-TUBA.	23	0	5	6	79%
2 CLARINETTEN. in B.	15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).	12	2	1	6	77%
Bass Trombone	14	0	2	6	68%
PAUKEN (C u.G).	2	0	0	2	29%
2 GROSSE FLOTEN.	7	0	1	2	25%
C Trumpet	5	0	0	4	25%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 7/16 Acte 1 : Coro Scena 5 : È verissimo

Papibois

4:08	Est. Play Time
159	Measures
	1,169Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	37	5	4	93%
	20	14	1	3	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	37	5	4	93%
	20	14	1	3	98%
Dulcamara	11	0	1	3	69%
Soprano 1	11	0	2	3	54%
Basse	12	0	1	3	54%
Soprano 2	12	0	2	3	54%
Ténor 1	11	0	2	3	54%
Ténor 2	10	0	2	3	54%

Presto, presto, pria ch’ei venga. Don Giovanni

FranckM.

4:45	Est. Play Time
172	Measures
	1,586Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	76	12	11	100%
	24	47	5	9	99%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	76	12	11	100%
	24	47	5	9	99%
M.	23	10	3	7	49%
G.	11	0	2	7	46%
Z.	13	0	4	6	45%

N° 38. See my many coloured fields.

FranckM.

2:04	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	26	7	8	100%
	20	10	4	7	94%
Ténor	12	0	2	7	65%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	26	7	8	100%
	20	10	4	7	94%
Ténor	12	0	2	7	65%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
Fernando	14	0	4	6	46%
Harp	19	25	6	4	42%
	13	11	3	4	42%
Harpsi	16	17	4	3	33%
	17	15	5	3	33%
Lute	17	17	6	2	25%
	21	15	7	2	29%
Osman	11	0	1	3	17%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%